{"id":18764,"date":"2018-06-24T09:46:50","date_gmt":"2018-06-24T07:46:50","guid":{"rendered":"https:\/\/www.typography-museum.gr\/4th-poster-contest-awards-and-honorary-distinctions-23-6-2018\/"},"modified":"2025-09-02T13:21:43","modified_gmt":"2025-09-02T11:21:43","slug":"4th-poster-contest-awards-and-honorary-distinctions-23-6-2018","status":"publish","type":"post","link":"https:\/\/www.typography-museum.gr\/en\/4th-poster-contest-awards-and-honorary-distinctions-23-6-2018\/","title":{"rendered":"4th Poster Contest: Awards and honorary distinctions 23\/6\/2018"},"content":{"rendered":"\n<p>Typography was celebrated on Saturday June 23rd at the Museum of Typography in Crete, with the award ceremony of the 4th International Poster Contest and the opening of the poster exhibition which was held at the amphitheatre of the Museum.<\/p>\n\n\n\n<p>This year, the entries surpassed every expectation, and reached the record number of 570!<\/p>\n\n\n\n<p>The prizes were awarded to:<\/p>\n\n\n\n<p>1st. Argiris Athanasiadis, Greece (1.000 euros)<\/p>\n\n\n\n<p>2nd. <span style=\"color: #434343;\"><span style=\"font-family: TimesNewRomanPSMT, serif;\"><span style=\"font-size: large;\">Nizak Julia, Hungary (700 euros)<\/span><\/span><\/span><\/p>\n\n\n\n<p><span style=\"color: #434343;\"><span style=\"font-family: TimesNewRomanPSMT, serif;\"><span style=\"font-size: large;\">3rd. <\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"font-family: TimesNewRomanPSMT, serif;\"><span style=\"font-size: large;\">Yankovskaya Vitaliya Alekseevna, Belarus (500 euros)<\/span><\/span><\/span><\/p>\n\n\n\n<p><span style=\"color: #000000;\"><span style=\"font-family: TimesNewRomanPSMT, serif;\"><span style=\"font-size: large;\">Honorary distinctions were given to: <\/span><\/span><\/span><\/p>\n\n\n\n<p><span style=\"color: #000000;\"><span style=\"font-family: TimesNewRomanPSMT, serif;\"><span style=\"font-size: large;\">Jia-Min-Wang<\/span><\/span><\/span><span class=\"s1\"> (Taiwan),&nbsp; Peter Javorik (Slovakia), Saeideh &nbsp;Shahmari Kalestan (Iran), Laurent LABAT&nbsp; (France), Mario Fuentes (Ecuador),&nbsp;Geray Gen\u00e7er (Istanbul), \u0141ukasz Chmielewski (Poland), Eric Lee Yin Hang&nbsp;(Canada),&nbsp;Zero Point Developers (Dimitrios Boukis \u2013 Gerasimos Choraitis) (Greece), Wei Su&nbsp; (Canada), Mah\u00e9 Renaut (France), Mafalda Sofia d\u00b4Almeida (&nbsp;Portugal), Kostas Karamaounas, Colin Eadie (United States f America),&nbsp; Levent Tayfur (Turkey),&nbsp;Ay\u015feg\u00fcl Tu\u011f\u00e7e Durmaz (Turkey), Danae Athansiou (Cyprus), Sarah Kngezwitsch (Scotland), Danae Polyviou (Cyprus), Agata Danilova (\u039b\u03b5\u03c5\u03ba\u03bf\u03c1\u03c9\u03c3\u03af\u03b1), Evelyn Davis-Walker (United States of America), Yen-Chu Chiang (Taiwan), Gen Harrison (Scotland), Nancy Merou (Greece), Stella Paloungou (&nbsp;Cyprus), Xiaofeng Chen&nbsp; (China),&nbsp;Luis Rutz (Germany).<\/span><\/p>\n\n\n\n<p>The 30 distinguished posters will be presented at an exhibition in the Museum of Typography for approximately a year, until the next contest.<\/p>\n\n\n\n<p>The international poster contest organized by the Museum of Typography is an institution that began in 2014.<\/p>\n\n\n\n<p>With the support of the Region of Crete, the Regional Unit of Chania, the Municipality of Chania and the newspaper Haniotika nea.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-4 is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/112-Argyris_Athanasiadis.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"700\" data-id=\"19473\" src=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/112-Argyris_Athanasiadis.webp\" alt=\"1st prize Argiris Athanasiadis, Greece\" class=\"wp-image-19473\" srcset=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/112-Argyris_Athanasiadis.webp 500w, https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/112-Argyris_Athanasiadis-214x300.webp 214w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><figcaption class=\"wp-element-caption\">1st prize Argiris Athanasiadis, Greece<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/134-NIZAK_JULIA_typography.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"700\" data-id=\"19475\" src=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/134-NIZAK_JULIA_typography.webp\" alt=\"2nd prize Julia Nizak, Hungary\" class=\"wp-image-19475\" srcset=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/134-NIZAK_JULIA_typography.webp 500w, https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/134-NIZAK_JULIA_typography-214x300.webp 214w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><figcaption class=\"wp-element-caption\">2nd prize Julia Nizak, Hungary<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/191-Yankovskaya-Vitaliya-Alekseevna.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"700\" data-id=\"19477\" src=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/191-Yankovskaya-Vitaliya-Alekseevna.webp\" alt=\"3rd prize ankovskaya Vitaliya Alekseevna, Belarus\" class=\"wp-image-19477\" srcset=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/191-Yankovskaya-Vitaliya-Alekseevna.webp 500w, https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/191-Yankovskaya-Vitaliya-Alekseevna-214x300.webp 214w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><figcaption class=\"wp-element-caption\">3rd prize ankovskaya Vitaliya Alekseevna, Belarus<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/054-KARAMAOUNAS_KOSTAS.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"700\" data-id=\"19479\" src=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/054-KARAMAOUNAS_KOSTAS.webp\" alt=\"Kostas Karamaounas, Greece\" class=\"wp-image-19479\" srcset=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/054-KARAMAOUNAS_KOSTAS.webp 500w, https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/054-KARAMAOUNAS_KOSTAS-214x300.webp 214w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><figcaption class=\"wp-element-caption\">Kostas Karamaounas, Greece<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/510-levent_tayfur.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"700\" data-id=\"19481\" src=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/510-levent_tayfur.webp\" alt=\"Levent Tayfur (Turkey)\" class=\"wp-image-19481\" srcset=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/510-levent_tayfur.webp 500w, https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/510-levent_tayfur-214x300.webp 214w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><figcaption class=\"wp-element-caption\">Levent Tayfur (Turkey)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/479-DanaeAthanasiou.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"671\" data-id=\"19483\" src=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/479-DanaeAthanasiou.webp\" alt=\"Danae Athansiou (Cyprus)\" class=\"wp-image-19483\" srcset=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/479-DanaeAthanasiou.webp 500w, https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/479-DanaeAthanasiou-224x300.webp 224w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><figcaption class=\"wp-element-caption\">Danae Athansiou (Cyprus)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/470-Eric-Lee-Yin-Hang.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"700\" data-id=\"19485\" src=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/470-Eric-Lee-Yin-Hang.webp\" alt=\"Eric Lee Yin Hang (Canada)\" class=\"wp-image-19485\" srcset=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/470-Eric-Lee-Yin-Hang.webp 500w, https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/470-Eric-Lee-Yin-Hang-214x300.webp 214w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><figcaption class=\"wp-element-caption\">Eric Lee Yin Hang (Canada)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/465-NANCYMEROU.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"700\" data-id=\"19487\" src=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/465-NANCYMEROU.webp\" alt=\"Nancy Merou (Greece)\" class=\"wp-image-19487\" srcset=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/465-NANCYMEROU.webp 500w, https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/465-NANCYMEROU-214x300.webp 214w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><figcaption class=\"wp-element-caption\">Nancy Merou (Greece)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/449-danae_polyviou.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"700\" data-id=\"19489\" src=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/449-danae_polyviou.webp\" alt=\"Danae Polyviou (Cyprus)\" class=\"wp-image-19489\" srcset=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/449-danae_polyviou.webp 500w, https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/449-danae_polyviou-214x300.webp 214w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><figcaption class=\"wp-element-caption\">Danae Polyviou (Cyprus)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/421-stella-paloungou.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"700\" data-id=\"19491\" src=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/421-stella-paloungou.webp\" alt=\"Stella Paloungou (Cyprus)\" class=\"wp-image-19491\" srcset=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/421-stella-paloungou.webp 500w, https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/421-stella-paloungou-214x300.webp 214w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><figcaption class=\"wp-element-caption\">Stella Paloungou (Cyprus)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/401-JIA-MIN-WANG.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"700\" data-id=\"19493\" src=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/401-JIA-MIN-WANG.webp\" alt=\"Jia-Min-Wang (Taiwan)\" class=\"wp-image-19493\" srcset=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/401-JIA-MIN-WANG.webp 500w, https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/401-JIA-MIN-WANG-214x300.webp 214w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><figcaption class=\"wp-element-caption\">Jia-Min-Wang (Taiwan)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/348-AYSEGUL_TUGCE_DURMAZ.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"700\" data-id=\"19495\" src=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/348-AYSEGUL_TUGCE_DURMAZ.webp\" alt=\"Ay\u015feg\u00fcl Tu\u011f\u00e7e Durmaz (Turkey)\" class=\"wp-image-19495\" srcset=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/348-AYSEGUL_TUGCE_DURMAZ.webp 500w, https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/348-AYSEGUL_TUGCE_DURMAZ-214x300.webp 214w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><figcaption class=\"wp-element-caption\">Ay\u015feg\u00fcl Tu\u011f\u00e7e Durmaz (Turkey)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/328-Sarah-Kngezwitsch.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"700\" data-id=\"19497\" src=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/328-Sarah-Kngezwitsch.webp\" alt=\"Sarah Kngezwitsch (Scotland)\" class=\"wp-image-19497\" srcset=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/328-Sarah-Kngezwitsch.webp 500w, https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/328-Sarah-Kngezwitsch-214x300.webp 214w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><figcaption class=\"wp-element-caption\">Sarah Kngezwitsch (Scotland)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/251-luis_rutz.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"700\" data-id=\"19499\" src=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/251-luis_rutz.webp\" alt=\"Luis Rutz (Germany)\" class=\"wp-image-19499\" srcset=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/251-luis_rutz.webp 500w, https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/251-luis_rutz-214x300.webp 214w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><figcaption class=\"wp-element-caption\">Luis Rutz (Germany)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/246-Lukasz-Chmielewski-prev.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"700\" data-id=\"19502\" src=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/246-Lukasz-Chmielewski-prev.webp\" alt=\"\u0141ukasz Chmielewski (Poland)\" class=\"wp-image-19502\" srcset=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/246-Lukasz-Chmielewski-prev.webp 500w, https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/246-Lukasz-Chmielewski-prev-214x300.webp 214w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><figcaption class=\"wp-element-caption\">\u0141ukasz Chmielewski (Poland)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/234-Mafalda_Sofia_Almeida.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"700\" data-id=\"19504\" src=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/234-Mafalda_Sofia_Almeida.webp\" alt=\"Mafalda Sofia d\u00b4Almeida (Portugal)\" class=\"wp-image-19504\" srcset=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/234-Mafalda_Sofia_Almeida.webp 500w, https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/234-Mafalda_Sofia_Almeida-214x300.webp 214w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><figcaption class=\"wp-element-caption\">Mafalda Sofia d\u00b4Almeida (Portugal)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/212-Gen-Harrison-Museum-of-Typography.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"676\" data-id=\"19506\" src=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/212-Gen-Harrison-Museum-of-Typography.webp\" alt=\"Gen Harrison (Scotland)\" class=\"wp-image-19506\" srcset=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/212-Gen-Harrison-Museum-of-Typography.webp 500w, https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/212-Gen-Harrison-Museum-of-Typography-222x300.webp 222w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><figcaption class=\"wp-element-caption\">Gen Harrison (Scotland)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/194-Laurent-Labat.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"700\" data-id=\"19508\" src=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/194-Laurent-Labat.webp\" alt=\"Laurent Labat  (France)\" class=\"wp-image-19508\" srcset=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/194-Laurent-Labat.webp 500w, https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/194-Laurent-Labat-214x300.webp 214w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><figcaption class=\"wp-element-caption\">Laurent Labat  (France)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/158-Colin_Eadie.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"700\" data-id=\"19510\" src=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/158-Colin_Eadie.webp\" alt=\"Colin Eadie (USA)\" class=\"wp-image-19510\" srcset=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/158-Colin_Eadie.webp 500w, https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/158-Colin_Eadie-214x300.webp 214w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><figcaption class=\"wp-element-caption\">Colin Eadie (USA)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/143-Mahee-Renaut.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"700\" data-id=\"19512\" src=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/143-Mahee-Renaut.webp\" alt=\"Mah\u00e9 Renaut (France)\" class=\"wp-image-19512\" srcset=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/143-Mahee-Renaut.webp 500w, https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/143-Mahee-Renaut-214x300.webp 214w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><figcaption class=\"wp-element-caption\">Mah\u00e9 Renaut (France)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/121-Agata-Danilova03.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"700\" data-id=\"19514\" src=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/121-Agata-Danilova03.webp\" alt=\"Agata Danilova (Belarus)\" class=\"wp-image-19514\" srcset=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/121-Agata-Danilova03.webp 500w, https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/121-Agata-Danilova03-214x300.webp 214w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><figcaption class=\"wp-element-caption\">Agata Danilova (Belarus)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/114-Wei-Su_Poster.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"700\" data-id=\"19516\" src=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/114-Wei-Su_Poster.webp\" alt=\"Wei Su  (Canada)\" class=\"wp-image-19516\" srcset=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/114-Wei-Su_Poster.webp 500w, https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/114-Wei-Su_Poster-214x300.webp 214w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><figcaption class=\"wp-element-caption\">Wei Su  (Canada)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/100-Geray-Gencer.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"700\" data-id=\"19518\" src=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/100-Geray-Gencer.webp\" alt=\"Geray Gen\u00e7er (Istanbul)\" class=\"wp-image-19518\" srcset=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/100-Geray-Gencer.webp 500w, https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/100-Geray-Gencer-214x300.webp 214w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><figcaption class=\"wp-element-caption\">Geray Gen\u00e7er (Istanbul)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/091-Typo-poster_Peter-Javorik_Slovakia_2018.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"756\" data-id=\"19520\" src=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/091-Typo-poster_Peter-Javorik_Slovakia_2018.webp\" alt=\"Peter Javorik (Slovakia)\" class=\"wp-image-19520\" srcset=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/091-Typo-poster_Peter-Javorik_Slovakia_2018.webp 500w, https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/091-Typo-poster_Peter-Javorik_Slovakia_2018-198x300.webp 198w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><figcaption class=\"wp-element-caption\">Peter Javorik (Slovakia)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/074-Saeideh-Shahmari-Kalestan.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"700\" data-id=\"19522\" src=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/074-Saeideh-Shahmari-Kalestan.webp\" alt=\"Saeideh Shahmari Kalestan (Iran)\" class=\"wp-image-19522\" srcset=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/074-Saeideh-Shahmari-Kalestan.webp 500w, https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/074-Saeideh-Shahmari-Kalestan-214x300.webp 214w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><figcaption class=\"wp-element-caption\">Saeideh Shahmari Kalestan (Iran)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/071-evelyndaviswalker.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"700\" data-id=\"19524\" src=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/071-evelyndaviswalker.webp\" alt=\"Evelyn Davis-Walker (USA)\" class=\"wp-image-19524\" srcset=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/071-evelyndaviswalker.webp 500w, https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/071-evelyndaviswalker-214x300.webp 214w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><figcaption class=\"wp-element-caption\">Evelyn Davis-Walker (USA)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/067-Yen-Chu-Chiang.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"700\" data-id=\"19526\" src=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/067-Yen-Chu-Chiang.webp\" alt=\"Yen-Chu Chiang (Taiwan)\" class=\"wp-image-19526\" srcset=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/067-Yen-Chu-Chiang.webp 500w, https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/067-Yen-Chu-Chiang-214x300.webp 214w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><figcaption class=\"wp-element-caption\">Yen-Chu Chiang (Taiwan)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/059-rgb-to-see.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"700\" data-id=\"19528\" src=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/059-rgb-to-see.webp\" alt=\"Zero Point Developers (Dimitrios Boukos \u2013 Gerasimos Choraitis) (Greece)\" class=\"wp-image-19528\" srcset=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/059-rgb-to-see.webp 500w, https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/059-rgb-to-see-214x300.webp 214w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><figcaption class=\"wp-element-caption\">Zero Point Developers (Dimitrios Boukos \u2013 Gerasimos Choraitis) (Greece)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/048-Mario-Fuentes.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"700\" data-id=\"19530\" src=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/048-Mario-Fuentes.webp\" alt=\"Mario Fuentes (Ecuador)\" class=\"wp-image-19530\" srcset=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/048-Mario-Fuentes.webp 500w, https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/048-Mario-Fuentes-214x300.webp 214w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><figcaption class=\"wp-element-caption\">Mario Fuentes (Ecuador)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/005-XIAOFENG-CHEN.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"700\" data-id=\"19532\" src=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/005-XIAOFENG-CHEN.webp\" alt=\"Xiaofeng Chen  (China)\" class=\"wp-image-19532\" srcset=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/005-XIAOFENG-CHEN.webp 500w, https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/08\/005-XIAOFENG-CHEN-214x300.webp 214w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><figcaption class=\"wp-element-caption\">Xiaofeng Chen  (China)<\/figcaption><\/figure>\n<\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Typography was celebrated on Saturday June 23rd at the Museum of Typography in Crete, with the award ceremony of the 4th International Poster Contest and the opening of the poster exhibition which was held at the amphitheatre of the Museum. This year, the entries surpassed every expectation, and reached the record number of 570! The [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":18765,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[470,471],"tags":[473,474,475,28],"class_list":["post-18764","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events-en","category-news-en","tag-4th-poster-contest-en","tag-awards-en","tag-prizes-en","tag---en"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.typography-museum.gr\/en\/wp-json\/wp\/v2\/posts\/18764","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.typography-museum.gr\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.typography-museum.gr\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.typography-museum.gr\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.typography-museum.gr\/en\/wp-json\/wp\/v2\/comments?post=18764"}],"version-history":[{"count":3,"href":"https:\/\/www.typography-museum.gr\/en\/wp-json\/wp\/v2\/posts\/18764\/revisions"}],"predecessor-version":[{"id":20131,"href":"https:\/\/www.typography-museum.gr\/en\/wp-json\/wp\/v2\/posts\/18764\/revisions\/20131"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.typography-museum.gr\/en\/wp-json\/wp\/v2\/media\/18765"}],"wp:attachment":[{"href":"https:\/\/www.typography-museum.gr\/en\/wp-json\/wp\/v2\/media?parent=18764"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.typography-museum.gr\/en\/wp-json\/wp\/v2\/categories?post=18764"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.typography-museum.gr\/en\/wp-json\/wp\/v2\/tags?post=18764"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}