{"id":18798,"date":"2021-11-02T09:11:47","date_gmt":"2021-11-02T07:11:47","guid":{"rendered":"https:\/\/www.typography-museum.gr\/the-winners-of-the-6th-international-poster-contest\/"},"modified":"2025-09-02T13:21:27","modified_gmt":"2025-09-02T11:21:27","slug":"the-winners-of-the-6th-international-poster-contest","status":"publish","type":"post","link":"https:\/\/www.typography-museum.gr\/en\/the-winners-of-the-6th-international-poster-contest\/","title":{"rendered":"The winners of the 6th International Poster Contest"},"content":{"rendered":"<p>The 6th International Poster Contest of the Museum of Typography was completed with 628 valid entries from 68 countries. The award ceremony and honors to the creators of the 30 posters that received the highest score from the jury, took place on Sunday, October 31 2021 at the Center for Mediterranean Architecture, Megalo Arsenali, in the Old Port of Chania.<\/p>\n<p>The results of the contest:<\/p>\n<p>\u2022 1st prize: <strong>Rina Polichenkova<\/strong> from Russia, (1500 euros). The prize was awarded by the publisher of \"Haniotika nea\" newspaper, and founder of the Museum of Typography Mr. Giannis Garedakis. The winner welcomed the audience in Greek and expressed her joy to be in Chania to receive her award.<\/p>\n<p>\u2022 2nd prize: <strong>Dalien Malaj<\/strong> from Italy (1000 euros). The award was given by Mr. Tassos Vamvoukas from the Chania Pharmacists' Cooperative.<\/p>\n<p>\u2022 3rd prize: <strong>Maria- Loukia Mitrakou<\/strong> from Greece (700 euros), who was not present at the event.<\/p>\n<p>The first prize of 1500 euros was sponsored by the \"Haniotika nea\" newspaper. The second \u20ac 1,000 was sponsored by Sky Express. The third, amounting to 700 euros, was sponsored by the Chania Pharmacists' Cooperative.<\/p>\n<p>A public vote was also held during the event, which resulted in three more posters receiving awards, one by <strong>Tatyana Zeretskaya<\/strong> from Russia, one by <strong>Guo Chen<\/strong> from China and one by <strong>Ksenia Sidorkina (Auburn)<\/strong> from Russia. Their creators will receive a prize of 500 euros each, from the Museum of Typography.<\/p>\n<p><\/p>\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/188-Rina_Polichenkova.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"840\" data-id=\"19303\" src=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/188-Rina_Polichenkova.webp\" alt=\"1st prize Rina Polichenkova (Russia)\" class=\"wp-image-19303\" srcset=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/188-Rina_Polichenkova.webp 600w, https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/188-Rina_Polichenkova-214x300.webp 214w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><figcaption class=\"wp-element-caption\">1st prize Rina Polichenkova (Russia)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/113-Daniel-Malaj.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"840\" data-id=\"19305\" src=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/113-Daniel-Malaj.webp\" alt=\"2nd prize Daniel Malaj (Italy)\" class=\"wp-image-19305\" srcset=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/113-Daniel-Malaj.webp 600w, https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/113-Daniel-Malaj-214x300.webp 214w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><figcaption class=\"wp-element-caption\">2nd prize Daniel Malaj (Italy)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/483-LOUKIA-MHTRAKOU.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"840\" data-id=\"19307\" src=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/483-LOUKIA-MHTRAKOU.webp\" alt=\"3rd prize Maria Loukia Mitrakou (Greece)\" class=\"wp-image-19307\" srcset=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/483-LOUKIA-MHTRAKOU.webp 600w, https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/483-LOUKIA-MHTRAKOU-214x300.webp 214w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><figcaption class=\"wp-element-caption\">3rd prize Maria Loukia Mitrakou (Greece)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/416-Tatyana-Zaretskaya.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"840\" data-id=\"19311\" src=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/416-Tatyana-Zaretskaya.webp\" alt=\"Tatyana Zaretskaya (Russia)\" class=\"wp-image-19311\" srcset=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/416-Tatyana-Zaretskaya.webp 600w, https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/416-Tatyana-Zaretskaya-214x300.webp 214w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><figcaption class=\"wp-element-caption\">Tatyana Zaretskaya (Russia)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/111-Guo-Chen.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"840\" data-id=\"19309\" src=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/111-Guo-Chen.webp\" alt=\"Guo Chen (China)\" class=\"wp-image-19309\" srcset=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/111-Guo-Chen.webp 600w, https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/111-Guo-Chen-214x300.webp 214w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><figcaption class=\"wp-element-caption\">Guo Chen (China)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/381-Ksenia_Sidorkina_Auburn.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"840\" data-id=\"19313\" src=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/381-Ksenia_Sidorkina_Auburn.webp\" alt=\"Ksenia Sidorkina (Russia)\" class=\"wp-image-19313\" srcset=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/381-Ksenia_Sidorkina_Auburn.webp 600w, https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/381-Ksenia_Sidorkina_Auburn-214x300.webp 214w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><figcaption class=\"wp-element-caption\">Ksenia Sidorkina (Russia)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/157-Yuanchao-Wang.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"840\" data-id=\"19315\" src=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/157-Yuanchao-Wang.webp\" alt=\"Yuanchao Wang China)\" class=\"wp-image-19315\" srcset=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/157-Yuanchao-Wang.webp 600w, https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/157-Yuanchao-Wang-214x300.webp 214w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><figcaption class=\"wp-element-caption\">Yuanchao Wang China)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/314-Lin_jiayi.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"840\" data-id=\"19319\" src=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/314-Lin_jiayi.webp\" alt=\"Lin Jiayi (China)\" class=\"wp-image-19319\" srcset=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/314-Lin_jiayi.webp 600w, https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/314-Lin_jiayi-214x300.webp 214w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><figcaption class=\"wp-element-caption\">Lin Jiayi (China)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/kaspapridou.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"840\" data-id=\"19323\" src=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/kaspapridou.webp\" alt=\"Evgenia Kasparidou (Greece)\" class=\"wp-image-19323\" srcset=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/kaspapridou.webp 600w, https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/kaspapridou-214x300.webp 214w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><figcaption class=\"wp-element-caption\">Evgenia Kasparidou (Greece)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/277-Michal_Olkowicz_Break-free.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"840\" data-id=\"19321\" src=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/277-Michal_Olkowicz_Break-free.webp\" alt=\"Micha\u0142 Olkowicz (Poland)\" class=\"wp-image-19321\" srcset=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/277-Michal_Olkowicz_Break-free.webp 600w, https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/277-Michal_Olkowicz_Break-free-214x300.webp 214w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><figcaption class=\"wp-element-caption\">Micha\u0142 Olkowicz (Poland)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/126-Xiaoshen-YE.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"840\" data-id=\"19327\" src=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/126-Xiaoshen-YE.webp\" alt=\"Xiaoshen YE (China)\" class=\"wp-image-19327\" srcset=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/126-Xiaoshen-YE.webp 600w, https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/126-Xiaoshen-YE-214x300.webp 214w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><figcaption class=\"wp-element-caption\">Xiaoshen YE (China)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/096-WenJie-Yu.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"840\" data-id=\"19329\" src=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/096-WenJie-Yu.webp\" alt=\"WenJie Yu (China)\" class=\"wp-image-19329\" srcset=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/096-WenJie-Yu.webp 600w, https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/096-WenJie-Yu-214x300.webp 214w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><figcaption class=\"wp-element-caption\">WenJie Yu (China)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/580-Geethshree.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"840\" data-id=\"19335\" src=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/580-Geethshree.webp\" alt=\"Geethashree S (India)\" class=\"wp-image-19335\" srcset=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/580-Geethshree.webp 600w, https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/580-Geethshree-214x300.webp 214w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><figcaption class=\"wp-element-caption\">Geethashree S (India)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/574-Arina_Stulova.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"840\" data-id=\"19333\" src=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/574-Arina_Stulova.webp\" alt=\"Stulova Arina (Russia)\" class=\"wp-image-19333\" srcset=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/574-Arina_Stulova.webp 600w, https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/574-Arina_Stulova-214x300.webp 214w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><figcaption class=\"wp-element-caption\">Stulova Arina (Russia)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/544-Carilla.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"840\" data-id=\"19317\" src=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/544-Carilla.webp\" alt=\"Carilla Karahan (Turkey)\" class=\"wp-image-19317\" srcset=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/544-Carilla.webp 600w, https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/544-Carilla-214x300.webp 214w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><figcaption class=\"wp-element-caption\">Carilla Karahan (Turkey)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/151-Manuel_Gensheimer-poster.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"840\" data-id=\"19325\" src=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/151-Manuel_Gensheimer-poster.webp\" alt=\"Manuel Gensheimer (Germany)\" class=\"wp-image-19325\" srcset=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/151-Manuel_Gensheimer-poster.webp 600w, https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/151-Manuel_Gensheimer-poster-214x300.webp 214w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><figcaption class=\"wp-element-caption\">Manuel Gensheimer (Germany)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/263-Ruifeng-Wang.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"840\" data-id=\"19361\" src=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/263-Ruifeng-Wang.webp\" alt=\"Ruifeng Wang (China)\" class=\"wp-image-19361\" srcset=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/263-Ruifeng-Wang.webp 600w, https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/263-Ruifeng-Wang-214x300.webp 214w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><figcaption class=\"wp-element-caption\">Ruifeng Wang (China)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/498-zoltan_toth.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"840\" data-id=\"19337\" src=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/498-zoltan_toth.webp\" alt=\"Zolt\u00e1n T\u00f3th (Hungary)\" class=\"wp-image-19337\" srcset=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/498-zoltan_toth.webp 600w, https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/498-zoltan_toth-214x300.webp 214w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><figcaption class=\"wp-element-caption\">Zolt\u00e1n T\u00f3th (Hungary)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/456-Ozhan_Yurtseven.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"840\" data-id=\"19339\" src=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/456-Ozhan_Yurtseven.webp\" alt=\"\u00d6zhan Yurtseven (Turkey)\" class=\"wp-image-19339\" srcset=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/456-Ozhan_Yurtseven.webp 600w, https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/456-Ozhan_Yurtseven-214x300.webp 214w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><figcaption class=\"wp-element-caption\">\u00d6zhan Yurtseven (Turkey)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/358-BO-PENG.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"840\" data-id=\"19341\" src=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/358-BO-PENG.webp\" alt=\"Bo Peng (China)\" class=\"wp-image-19341\" srcset=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/358-BO-PENG.webp 600w, https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/358-BO-PENG-214x300.webp 214w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><figcaption class=\"wp-element-caption\">Bo Peng (China)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/069-Wei-Su_hi-res.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"840\" data-id=\"19353\" src=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/069-Wei-Su_hi-res.webp\" alt=\"Wei Su (Canada)\" class=\"wp-image-19353\" srcset=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/069-Wei-Su_hi-res.webp 600w, https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/069-Wei-Su_hi-res-214x300.webp 214w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><figcaption class=\"wp-element-caption\">Wei Su (Canada)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/162-Chenglong-Tao.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"840\" data-id=\"19343\" src=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/162-Chenglong-Tao.webp\" alt=\"Chenglong Tao (China)\" class=\"wp-image-19343\" srcset=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/162-Chenglong-Tao.webp 600w, https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/162-Chenglong-Tao-214x300.webp 214w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><figcaption class=\"wp-element-caption\">Chenglong Tao (China)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/149-ligang.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"840\" data-id=\"19345\" src=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/149-ligang.webp\" alt=\"Li Gang (China)\" class=\"wp-image-19345\" srcset=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/149-ligang.webp 600w, https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/149-ligang-214x300.webp 214w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><figcaption class=\"wp-element-caption\">Li Gang (China)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/131-Birgit-Kerber.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"840\" data-id=\"19347\" src=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/131-Birgit-Kerber.webp\" alt=\"Birgit Kerber (Austria)\" class=\"wp-image-19347\" srcset=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/131-Birgit-Kerber.webp 600w, https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/131-Birgit-Kerber-214x300.webp 214w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><figcaption class=\"wp-element-caption\">Birgit Kerber (Austria)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/127-Nisa-Berfin-EROL.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"840\" data-id=\"19351\" src=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/127-Nisa-Berfin-EROL.webp\" alt=\"Nisa Berfin (Turkey)\" class=\"wp-image-19351\" srcset=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/127-Nisa-Berfin-EROL.webp 600w, https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/127-Nisa-Berfin-EROL-214x300.webp 214w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><figcaption class=\"wp-element-caption\">Nisa Berfin (Turkey)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/119-LEFTERIS_KONTOGIANNIS_-PRINT.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"840\" data-id=\"19331\" src=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/119-LEFTERIS_KONTOGIANNIS_-PRINT.webp\" alt=\"Lefteris Kontogiannis (Greece)\" class=\"wp-image-19331\" srcset=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/119-LEFTERIS_KONTOGIANNIS_-PRINT.webp 600w, https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/119-LEFTERIS_KONTOGIANNIS_-PRINT-214x300.webp 214w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><figcaption class=\"wp-element-caption\">Lefteris Kontogiannis (Greece)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/074_BeatrizTeixeira.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"840\" data-id=\"19349\" src=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/074_BeatrizTeixeira.webp\" alt=\"Beatriz Teixeira (Portugal)\" class=\"wp-image-19349\" srcset=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/074_BeatrizTeixeira.webp 600w, https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/074_BeatrizTeixeira-214x300.webp 214w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><figcaption class=\"wp-element-caption\">Beatriz Teixeira (Portugal)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/584-KALOCHRISTIANAKIS_VANGELIS.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"840\" data-id=\"19355\" src=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/584-KALOCHRISTIANAKIS_VANGELIS.webp\" alt=\"Evagellos Kalochristianakis (Greece)\" class=\"wp-image-19355\" srcset=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/584-KALOCHRISTIANAKIS_VANGELIS.webp 600w, https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/584-KALOCHRISTIANAKIS_VANGELIS-214x300.webp 214w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><figcaption class=\"wp-element-caption\">Evagellos Kalochristianakis (Greece)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/040-negin-ahmadi.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"840\" data-id=\"19357\" src=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/040-negin-ahmadi.webp\" alt=\"\u039degin \u0391hmadi (Iran)\" class=\"wp-image-19357\" srcset=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/040-negin-ahmadi.webp 600w, https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/040-negin-ahmadi-214x300.webp 214w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><figcaption class=\"wp-element-caption\">\u039degin \u0391hmadi (Iran)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/017-Pei-Zishun.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"840\" data-id=\"19359\" src=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/017-Pei-Zishun.webp\" alt=\"Zishun Pei (China)\" class=\"wp-image-19359\" srcset=\"https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/017-Pei-Zishun.webp 600w, https:\/\/www.typography-museum.gr\/wp-content\/uploads\/2023\/07\/017-Pei-Zishun-214x300.webp 214w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><figcaption class=\"wp-element-caption\">Zishun Pei (China)<\/figcaption><\/figure>\n<\/figure>\n","protected":false},"excerpt":{"rendered":"<p>The 6th International Poster Contest of the Museum of Typography was completed with 628 valid entries from 68 countries. The award ceremony and honors to the creators of the 30 posters that received the highest score from the jury, took place on Sunday, October 31 2021 at the Center for Mediterranean Architecture, Megalo Arsenali, in [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":18799,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[469,471],"tags":[],"class_list":["post-18798","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-home","category-news-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.typography-museum.gr\/en\/wp-json\/wp\/v2\/posts\/18798","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.typography-museum.gr\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.typography-museum.gr\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.typography-museum.gr\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.typography-museum.gr\/en\/wp-json\/wp\/v2\/comments?post=18798"}],"version-history":[{"count":3,"href":"https:\/\/www.typography-museum.gr\/en\/wp-json\/wp\/v2\/posts\/18798\/revisions"}],"predecessor-version":[{"id":20145,"href":"https:\/\/www.typography-museum.gr\/en\/wp-json\/wp\/v2\/posts\/18798\/revisions\/20145"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.typography-museum.gr\/en\/wp-json\/wp\/v2\/media\/18799"}],"wp:attachment":[{"href":"https:\/\/www.typography-museum.gr\/en\/wp-json\/wp\/v2\/media?parent=18798"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.typography-museum.gr\/en\/wp-json\/wp\/v2\/categories?post=18798"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.typography-museum.gr\/en\/wp-json\/wp\/v2\/tags?post=18798"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}